| Sevri Hadji-Hasan Mosque |
Dates of construction: Built before 1620
Period and style: Ottoman / Ottoman Balkan Architecture
Before
destruction
Formal
characteristic: The
Sevri Hadji Hasan Mosque stands at the center of the Donja Mahala
on the west bank of the Neretva. It is the heart and binding force of one of the
intimate and beautiful neighborhoods established in the Ottoman period. A hipped
roof mosque constructed of finely cut stone with a slate roof, situated on a
bluff. The space around the mosque constitutes the principal gathering place for
the neighborhood to this day.
August
and austere, a number of characteristics make the Sevri Hadji Hasan Mosque a
prime example of the Ottoman Balkan mosque style. Two levels of pointed arched
windows give the mosque a sense of significant height and scale in this
residential neighborhood. The windows light a double height prayer hall almost
cubic in proportions, reminding us of the geometry that fuels much of Ottoman
design. The mosque manages then to appear at once monumental and residential, as
befits a neighborhood mosque founded by an important member of society. The
minaret of the Sevri Hadji-Hasan Mosque, circular in section, was the highest
point in the mahala, and can be seen from any point in the neighborhood.
It is also slightly robust, so that its mass sits comfortably with the cubic
volume of the beautifully proportioned mosque. A large porch provides a
transition to the prayer hall through a muqarna.s portal of finely carved
stone, an excellent example of Ottoman ornamental tradition in Bosnia. Within, a
mihrab carved with similar muqarnas designs indicates the direction
of Mecca, towards which all Muslims should pray, and provides a stylistic link
with the exterior portal.
After
destruction
Site history: According to historical
documents related to his foundation, Sevri Hadji Hasan bought a plot of land in
what was then Jahya Esfel Mahala and built this mosque there before 1620. Sevri
Hadji Hasan founded a Waqf for the mosque, donating several properties
for its upkeep and maintenance, and was further its first imam
At the end of the l9th century, the minaret sherefe (balcony) was restored; in 1960 the section of minaret above the sherefe was struck by lightning and rebuilt, losing some height. In the early years of the 20th century, the walls were decorated with a stenciling design, which is only partially visible; some later decorative painting, possibly as recent as post-World War II, is also visible in fragments.
In
1992. the mosque was targeted by JNA troops. During
shelling, the minaret fell onto the building, destroying the timber roof. The
south and west walls were subsequently damaged by further attacks. Masonry, wall
fabric, and original carvings and ornamentation are all severely damaged.
Assumptions
for reuse: This
mosque is an important monument in its own right, an Ottoman foundation that
applies fine ashlar masonry and sophisticated ornamentation to a local
community, reminding us of the effectiveness of the Wagf system in nurturing
urban culture. In addition, the Sevri Hadji Hasan Mosque anchors an entire
neighborhood of small, intimate scale homes clustered around it.
Proposed intervention: This mosque was seriously
damaged during the war and neglect has increased the extent of damage. The floor
is still covered by the material from the roof and the minaret. The original
blocks belonging to the minaret shaft and the sherefe are still there and
most of them can be utilized in restoration.
There
are missing areas in the masonry walls; the southwest corner in particular was
badly damaged by heavy shooting. The walls have to be repaired as soon as
possible for the stability of the whole structure. The mihrab is
relatively well preserved. The windows have to be restored. The mahfil and
timber ceiling are totally destroyed. The portico roof is in a dangerously
unstable condition. One of the columns was broken, so the eastern half of the
portico roof has subsided. On the western half of the portico, there is a room
that was added later; it should be removed in order to obtain the integrity of
the portico again. Traditional techniques and materials have to be used in order
to save this small but precious monument from the l7th century.
Cost estimate: 292 500 USD